With Alice Lovejoy and Pansy Duncan I am editing the first volume dedicated to the material history of film stock. I am also contributing a chapter titled ‘Celluloid Skin: The Racial Materialities of Film Stock’

With Siobhan Angus I am exploring the ecological and political implications of the use of the rare earth element Europium in the manufacture of colour televisions

With Ranjani Mazumdar (Co-I) and Poorvi Gaur (Network Co-Ordinator) I am the Principal Investigator on the AHRC funded Bombay Film Colour Research Network. We are researching Hindi cinema’s conversion to colour between the 1950s and 1980s.

This project explores the industrial film processing laboratory as a site of geopolitical and aesthetic power. It seeks to reimagine the history of film within the history of print